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1. #MILES DAVIS LIVE AT THE FILLMORE RAR FULL#
2. #MILES DAVIS LIVE AT THE FILLMORE RAR PLUS#
3. #MILES DAVIS LIVE AT THE FILLMORE RAR SERIES#

#MILES DAVIS LIVE AT THE FILLMORE RAR PLUS#

The additional 135 minutes of music in this set include a range spanning Wayne Shorter's ‘Paraphernalia’ and ‘Footprints’ from the earlier acoustic repertoire to an early version of ‘Miles Runs The Voodoo Down’ plus a rare encore performance of ‘Spanish Key’. The searing white heat of these concerts, originally issued in severely edited form to accommodate LP sides, and without any track or song indications are now made whole.

#MILES DAVIS LIVE AT THE FILLMORE RAR SERIES#

MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. … The sound of Miles at the Fillmore is like a microscope on everything that happened before in jazz and everything that was happening then with all the protesting, the shootings, the beatings, the Black Panthers.” Carlos SantanaĪugust 1969 to August 1970 was the most productive year of Miles Davis’s career: in that short span of time, the trumpeter recorded enough material for his studio double-album Bitches Brew, a studio single album Jack Johnson, three sides of another studio double-album Big Fun, four tracks from the double-album Live-Evil AND, across five nights at Bill Graham’s famed Fillmore rock palaces in April and June of 1970, coast-to-coast at both the Fillmore East & West-the complete, legendary concerts that will now see the light of day and be made available to fans in their entirety! That was the deal: if you want to hear Steve Miller or Neil Young or Santana, you've got to hear Miles Davis. Bill Graham created that environment consciously and honestly and brutally, and got a new generation to hear the beauty in this music. “If ever there was a time when a rock audience would be willing to open their ears and hear some great modern jazz like Miles was doing, it was at the Fillmore.

#MILES DAVIS LIVE AT THE FILLMORE RAR FULL#

An eye-and-ear opening set curated by Carlos Santana, full of fascinating firsthand accounts and profound insight into a seismic shift in American society, music, and culture: Pieces discussed: Paul Morley on Manchester, Joy Division, New Order, Tony Wilson, New Order audio, Faust, Faust IV, Jean-Hervé Peron, David Stubbs' Faustian Pact, Rhythm & Blues, Soul (Style), The Chieftains, Paddy Moloney, The Stones, Pink Floyd, Lorraine Ellison, Iron Butterfly, Patti Smith, 808 State, Dusty Springfield, Charlie Watts, The Sex Pistols, Was (Not Was), Primal Scream and John Sinclair.MILES DAVIS live throughout 1970, as he was single-handedly bringing jazz into the commercial rock era! 4 audio discs of primarily unreleased music with complete performances including 2+ HOURS of extended material and the ultimate rarities. Many thanks to special guest Paul Morley his book From Manchester with Love: The Life and Opinions of Tony Wilson is published by Faber and available now. Finally, Jasper talks us out with his thoughts on pieces about Primal Scream's 2000 XTRMNTR and John Sinclair taking The Wire's "Invisible Jukebox" text in 2003. Pierre), Mark leads us through his personal favourites among the 100+ articles added to the RBP library over the past fortnight, incuding pieces about the Stones' pad in Edith Grove, Lorraine Ellison's volcanic single 'Stay With Me' and Charlie Watts on drummers & drumming. After saying goodbye to chief Chieftain Paddy Moloney, and to three veteran RBP writers on soul and R&B (Pete Grendysa, Bob Fisher and Roger St. The conversation then turns to "Anthony H." Wilson and the formation of Factory, taking in Paul's championing of Joy Division before leading into a discussion of Martin Aston's 1986 audio interview with New Order's Bernard Sumner and Stephen Morris.įrom there we consider the week's featured act Faust, spinning off from pieces about the German enigmas by Ian MacDonald, Andy Gill and David Stubbs, and prompting general thoughts on "Krautrock" from both guest and hosts. Paul recounts his early pop epiphanies and discovery of the UK's music press, culminating in the one & only issue of his 1976 fanzine Out There - not to mention his first reviews for the NME in 1976. In this episode, the legendary Paul Morley joins us to talk about his native Manchester, Joy Division and his epic new biography of Factory Records boss Tony Wilson.